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Richard Matheson and Lynda Carter in New Comics

August 14, 2015 By Paul Leave a Comment

By D. Lynn Smith 

You all know I’m a big fan of horror. I can’t remember a time when I didn’t love a good horror story. Like many people my age, I used to run home from school to watch Dark Shadows every afternoon. During the same period of time, I discovered the late-night horror host Ghoulardi and saw horror movies that would never be considered anything other than B-movies, but were great fun to watch.

It was also during this time period that I saw the movie, The Incredible Shrinking Man, adapted by Richard Matheson from his own novel. The thing that really has stuck in my head after all of these years is the scene of a man, tiny enough to make a bed in a matchbox, using a needle to fight off a spider that towers over him. It’s the stuff that nightmares are made of. So imagine my delight when I go to my neighborhood comic bookstore, Alternate Realities Comics, this past week and find The Shrinking Man comic! Just looking at the title, with Richard Matheson’s name prominent at the top, took me back to my childhood.

At lunch that day I described the “spider” scene to my husband who has never seen the 1957 movie. He promptly googled the movie and found a picture of the very scene I was describing, delighting in my shudder when he showed it to me on his phone.

In case you don’t know who Richard Matheson is, he’s one of the most revered horror writers there’s ever been. He wrote I Am Legend, Hell House, Duel, Trilogy of Terror (who can forget Linda Black fighting the little devil doll) and Nightstalker. And then there’s the lesser known Dead of Night, with the segment called Bobby, which scared me even more than the Devil Doll ever did.  Richard Matheson inspired more of my nightmares than any other horror writer and I love him for it! (For those of you who are not horror enthusiasts, Matheson also wrote the movie classic, Time After Time, staring Jane Seymour and Christopher Reeve.)

What’s great about the comic is that Ted Adams, who did the adaptation, lifted some of Matheson’s dialogue right out of the novel. This is a man who loved Matheson’s work and who has created a comic faithful not only to Richard Matheson, but to my own memories. It’s now on my pull list.The Shrinking Man

 

Whereas The Shrinking Man took me back to the 60s, this graphic novel brought back memories of a decade later. In the 1970s, Lynda Carter starred as Wonder Woman on CBS. The graphic novel, Wonder Woman ’77 Special, celebrates the television series. The art is all based on the actors from that series and there are six vignettes that come straight from actual episodes.

Reading Wonder Woman ’77 Special transported me back to when I was just graduating high school and trying to figure out what I was going to do with my life. Wonder Woman presented a strong, independent woman who was an undercover spy right alongside her male counterpart. She claimed her place in history as a modern heroine in a man’s world. (I was a big fan of The Bionic Woman, which was also airing at the time.)

Wonder Woman 77 SpecialThe WW graphic novel took me back to a time when I was trying to figure out what it meant to be an adult woman and it reminded me how far I’ve come since then.

So this past week was about nostalgia for me, a time for thinking about where I’ve been and where I’m going, and a time for being very proud and happy I’m working in this field.

Filed Under: Classic Comics, comic book writers, Feminist Comics, Horror, The Shrinking Man, Wonder Woman Tagged With: classic comics, comic book creators, comic book writer, Comics, D. Lynn Smith, horror, horror comics, Linda Carter, Richard Matheson, The Shrinking Man, Wonder Woman, writer

World War II Saw Women Artists Replace Fighting Men

August 8, 2014 By Paul Leave a Comment

By Autumn Daughetee

During World War II a lot of America’s workforce had been drafted into the military. Women stepped up to keep the country’s factories and businesses running. What you may not know, is that many of the male artists drawing comic books in the early 1940s were of draft age. When they entered the military women artists stepped in to fill the gap.

Toni Gayle
Artist Janice Valleau drew Toni Gayle, a fashion model/detective, for Young King Cole comics.

Romona “Pat” Patenaude began to draw a number of popular comics in the early 1940s. Among them were The Green Falcon, The Vision, Blue Beetle, V-Man and Dr. Fung. Peggy Zangerle was another female artist who drew major comics in the 1940s. She drew Doc Savage and Red Dragon.

While Patenaude and Zangerle drew mainstream comics, most women artists of the era specialized in drawing female characters. Artist Janice Valleau drew Toni Gayle, a fashion model/detective, for Young King Cole comics. The Cadet, starring Kit Carter, was drawn by Nina Albright for Target Comics. Although the lead was male, The Cadet had mostly female readers who consistently asked for strong female characters, which Albright provided.

Girl Commandos
Girl Commandos, drawn by Barbara Hall, 1941-1943, and Jill Elgin, 1942-1945,featured an international team of women fighting Nazis.

Other wartime heroines included Yankee Girl, drawn by Ann Brewster, and Blonde Bomber and Girl Commandos, drawn by Barbara Hall, 1941-1943, and Jill Elgin, 1942-1945. Girl Commandos featured an international team of women fighting Nazis. Hall also drew Black Cat, the first comic book superheroine.

Gladys Parker’s Mopsy featured a heroine who appeared dressed as a WAC, a WAVE, an Army nurse, a defense worker and a member of the Motor Corps during the war. Parker also took over the newspaper comic strip Flyin’ Jenny when its previous artist, Russell Keaton, joined the service in 1943.

Gladys Parker’s Mopsy featured a heroine who appeared dressed as a WAC, a WAVE, an Army nurse, a defense worker and a member of the Motor Corps during the war.
Gladys Parker’s Mopsy featured a heroine who appeared dressed as a WAC, a WAVE, an Army nurse, a defense worker and a member of the Motor Corps during the war.

These are just a few of the great women comic book artists who saw the comic book industry through World War II. Unfortunately for women artists, when the war was over men took back most of the action comic strips and women confined to drawing lighter fare if they continued in comics at all.

Kymera Press is trying to change all of that, giving women creators, writers and artists an expanded place in the comic book industry.

Filed Under: Artists, Classic Comics, Kymera Press, Uncategorized, Women in Comics Tagged With: 1940s comics, classic comics, Comics in World War II, Kymera Press, women in comics

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